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  • Little White Earbuds » steadfast records http://www.littlewhiteearbuds.com Hook up your ears Tue, 15 Jul 2014 05:01:18 +0000 en-US hourly 1 http://wordpress.org/?v=3.9.1 Imugem Orihasam, Exude http://www.littlewhiteearbuds.com/review/imugem-orihasam-exude/ http://www.littlewhiteearbuds.com/review/imugem-orihasam-exude/#comments Tue, 12 Jun 2012 05:01:25 +0000 http://www.littlewhiteearbuds.com/?p=32057

    [Steadfast Records]

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    Despite three years’ worth of material to his name, Imugem Orihasam is surprisingly hard to pin down. One month he’s doing panoramic techno for Nsyde, the next future jazz for New Kanada, pulsating ambient for Ilian Tape or deep house for Fred P’s label. But a faint thread does connect all these records: dub. It’s not immediately obvious, because Orihasam’s treatments are rarely drastic. Rather than plunging his sounds to murk-filled depths, he seems to prefer shrouding them with delicate mists. In light of this, it makes sense to see the Japanese artist appearing on Brendon Moeller’s Steadfast Records, even if he’s never been affiliated with a dub-focused label before. Exude; itself is somewhat surprising, however. It’s grim and abstract — qualities not commonly found in Orihasam’s previous work.

    “10 Minutes Ago” wanders through a tough, labyrinthine progression, feeling entirely dystopian. Almost no part of it seems solid, groaning acid lines and desolate patches of delay mostly conjuring images of dilapidation. “CHGM” is somewhat similar but opts for more concrete sounds, leaving the dubby, veil-like effects to congregate in the track’s bottom end. “I-PM” and “Exude” are the most abstract and functional cuts, respectively. Largely beatless, the former pitches slowly back and forth like a derelict tanker ship. Its creepy vibe is reminiscent of Cio D’Or’s “Magnetfluss,” all windy echoes and implied footsteps. The latter is utterly frenzied, with rapid, helicoptering chords in control from start to finish. Exude; isn’t quite as gripping as it might have been in the hands of someone more devoted to this kind of music, but it still speaks of considerable talent. Where Orihasam next chooses to employ his skills is the exciting bit.

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    Furesshu, Downstate http://www.littlewhiteearbuds.com/review/furesshu-downstate/ http://www.littlewhiteearbuds.com/review/furesshu-downstate/#comments Tue, 19 Jul 2011 05:01:22 +0000 http://www.littlewhiteearbuds.com/?p=22082 Downstate feels like the start of a promising new phase for Steadfast, and the fact that it's being triggered by a producer like Furesshu says a lot for the English producer's range, dexterity, and bright future.]]>


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    Luke Standing was previously one of the brightest (or considering his music, deliciously dark) stars in the ongoing Bristol techno movement, although a recent relocation to Hamburg places his music in a new, more challenging context. With the producer known as Furesshu now in a techno city, so to speak, he no longer has the advantage of being one of the few producers pushing techno in a place otherwise recognized for dubstep. But the implications remain to be seen; I would wager that Downstate — released on Brendon Moeller’s Steadfast label — was made quite a while back, because it easily fits alongside the producer’s recent work. Which, given the quality of his output so far, is certainly a good thing.

    First things first: “Downstate” might be stamped with the Steadfast logo but it’s nowhere even close to dub techno, so get that thought out of your mind. It’s actually one of the darkest, most fundamentalist tracks the young producer has yet released, taking his signature dancing breakbeats and suspending them in uncomfortably stark nakedness. There’s not much reverb to be found and not much in the way of momentum either, with the kick drum plodding away out of obligation and a brave little hi-hat left to drive the song forward on the weight of its tiny and stressed steel frame. “Downstate” really proves how absence can render the tiniest things exciting — each brief spore cloud of sampled melody burns as bright as a star — and its minimalism makes a case for subtlety and restraint at a time when chauvinistically thrusting techno is all the rage.

    Moeller handles the flipside for his “Acid State Remix,” wherein he gives the kick some club-ready oomph, endowing “Downstate” with the kind of elephantine power that the original deliberately lacked. Playing with the breakbeat, the hypnotic and looping elements of the original are turned into a stilted and taunting melody, turning into one of Moeller’s most straightforward and least subtle productions in recent memory. After a string of releases heavy on the Moeller (and dub techno elements too), Downstate feels like the start of a promising new phase for Steadfast, and the fact that it’s being triggered by a producer like Furesshu says a lot for the English producer’s range, dexterity, and bright future. Luke, I’ve a feeling we’re not in Bristol anymore.

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