Curator’s Cuts 29: Chris Miller

LWE’s Curator’s Cuts podcast series features our staff mixing together recent favorites and providing explanations for their selections. LWE’s associate editor, Chris Miller, compiled Curator’s Cuts 29. We will post the tracklist later in the week, as the curator discloses and describes it as part of the podcast.

Curator’s Cuts 29: Chris Miller (131:54)

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01. Pye Corner Audio, “The Ever-Present Hum Part 1 (Motorway)”
[The Tapeworm]
02. Chasing Voices, “Awoken By Tears” [Preserved Instincts]
03. Fred P., “Open (Mars Mix)” [Soul People Music]
04. Orpheus, “Waiting For Your Call” [Sequencias]
05. Terekke, “Bank3” [L.I.E.S.]
06. Hieroglyphic Being, “A Time Warp Synthesizer” [Mathematics]
07. Morphosis, “Flash” [M>O>S]
08. Bass Clef, “Dawn Chorus Pedal” [Idle Hands]
09. Xosar, “Elixir Of Dreams” [Rush Hour Recordings]
10. Shed, “Increase That” [Soloaction]
11. James T. Cotton, “The Drain” [Spectral Sound]
12. 808State, “Narcossa” [Creed Records]
13. Vril, “V9” [Giegling Staub]
14. Levon Vincent, “Stereo Systems” [Novel Sound]
15. Function, “Against The Wall” [Ostgut Ton]
16. Fiedel, “Andreas (Bonus Beats)” [Fiedel]
17. Trevino, “Forged” [Klockworks]
18. Cheap and Deep, “Beautiful” [Modular Cowboy]
19. Mathew Jonson, “Typerope” [Itiswhatitis]
20. Young Male, “Black Satin Fan” [White Material]
21. Daso & Pawas, “Det” (Schatrax Remix) [Spectral Sound]
22. Jabberjaw, “Girlfriend” [Perlon]
23. Shawn O’Sullivan, “Security” [The Corner]
24. MMM, “Re-tics” [MMM]
25. Thomas Bangalter, “What To Do” [Roulé]
26. Delroy Edwards, “Feelings” [L.I.E.S.]
27. Marcel Dettmann, “Push” [Ostgut Ton]
28. Conforce, “Last Anthem” [Delsin]
29. Anthony Naples, “Moscato” [Mister Saturday Night Records]
30. Florian Kupfer, “Feelin” [L.I.E.S.]

morerecords  on April 8, 2013 at 2:23 AM


Filip  on April 8, 2013 at 7:53 AM


Peter  on April 8, 2013 at 12:50 PM


Alex  on April 19, 2013 at 2:05 PM

Orpheus is Perseus Traxx ;).

Nick Connellan  on April 22, 2013 at 7:14 PM

I really enjoyed this, Chris. The two distinct halves were great, and most of the mixing felt very natural.

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