As soon as minimal descended from opera to operetta, from the clinical distillation of techno’s essence to its buffoonish, showboating bastard-child, it was inevitable that producers would one day revisit it with a dewy-eyed nostalgia. LoSoul has always worn his influences on his sleeve, and as a producer working throughout the decade of minimal’s far-reaching reign, it seems both fair and correct that he should have something to say about its demise. Leaving behind the cushy environs of Playhouse for an outing on Dan Ghenacia’s Freak n’ Chic, he gets his opportunity and delivers a fitting eulogy.