Tag Archive: gravious

LWE Podcast 43: Gravious retires this week

LWE’s 43rd exclusive podcast came from the hands of the Glasgow-based bass music producer Gravious. Make sure to check out this underrated podcast before it’s archived this Friday, April 15th.

Erik XVI, Stern-Gerlachs Versioner

Erik XVI’s Stern-Gerlachs Versioner, released in January on Highpoint Lowlife, compiles seven remixes of tracks from last year’s Stern-Gerlachs Försök EP. The collection is a veritable stylistic melting pot; the dystopian aura of the originals pervades but is filtered through everything from Dissident-style arpeggiator disco to dark garage. This sort of variety is a potential weakness: in pre-download days you might end up paying full price for a single quality track in a sea of duds. Luckily, the curatorial work here is impeccable, rewarding the versatile modern DJ with its diversity.

LWE Podcast 43: Gravious

Hailing from Edinburgh, though a Glasgow resident for the better part of the last decade, Ali Jackson has steadily been making a name for himself with far reaching dubstep, spanning reggae tinged, spatial rollers to deep, meditative funk. His debut “Wormsign/Monolith” came out on the Hotflush subsidiary Scuba, and was the first artist other than Scuba himself to release on the label. Citing influences from old school jungle, drum ‘n bass and electronica, Jackson imbues his productions with these elements while forging his own distinct sound. Showing a steady evolution in his work, last year’s Futurist EP seemed to be infused with a touch of Mike Banks, though Jackson has stated that this was purely coincidence, as was the aptly titled track “Jupiter Jazz.” With a series of further releases due out in the near future we tracked down Jackson for a quick word and talked him in to providing us with an exclusive podcast too.

Gravious, Futurist EP

An aptly titled release for Glaswegian Ali Jackson on his début for the always interesting Highpoint Lowlife label out of San Francisco. Inspiration for the EP apparently came after Jackson read William Gibson’s The Gernsback Continuum, a sci-fi short set in the 1930’s whose protagonist experiences fractured glimpses of an improbable, far off future. Suitably the sounds employed on the “Futurist EP” take this past-looking-forward approach to heart, some sounding as kitschy as UFO movies looked in the 1950’s.