With his Baby, Let’s Love 12″ Mano Le Tough furthers his reputation with mixes that cover the deep and techier ends of the house spectrum.
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Mr. Raoul K, The African Government
Mr. Raoul K’s The African Government on Mule Musiq hearkens back to his dance music salad days and showcases where he’s at now as a producer.
Robert Hood, Omega
Robert Hood’s Omega album is cut through with an urgent, futuristic score that profiles the ideas contained in Charlton Heston’s Omega Man rather than the style it was made in.
Âme, Rrose Sélavy EP
The Rrose Sélavy EP, Âme’s first solo release of 2010, references the work of Marcel Duchamp in its title and in the playful manner that they toy with evolving melodies and reappearing ideas that is very much in line with Duchamp’s playful approach to his art.
Daze Maxim, Tomorrow Universe EP
Although popular stature has largely eluded Daze Maxim, his label Hello? Repeat and his own releases — including the Tomorrow Universe EP — tell the story of quality over quantity.
Tornado Wallace, Paddlin’
Tornado Wallace’s Paddlin’ EP for the Delusions Of Grandeur label will likely see the Melbourne-based talent experience a spike in interest for his polished, classic deep house sound.
Paul Ritch, Canniballs Part 2 EP
It seems for every good idea Paul Ritch has, he takes another too far, leaving you wishing he had employed the musical equivalent of Calvin Klein’s ethos of taking off at least one item of clothing before leaving the house.
BBH: Extortion ft. Dihan Brooks, How Do You See Me Now?
The short-lived duo of Jason Load and Pavel DeJesus, aka Extortion, may not have made any big waves in the global waters of dance music but one of their singles was fortunate enough to feature the remix talents of one Joey Negro.












