• Custom iphone cases
  • iphone cases sale
  • ipod touch cases
  • samsung cases sale
  • Adidas Cases
  • Affliction Cases
  • Armani Cases
  • Beats by dr dre Cases
  • Boss Cases
  • Burberry Cases
  • Canada Goose Cases
  • Chanel Cases
  • Christian Louboutin Case
  • Coach Cases
  • D&G Cases
  • Dior Cases
  • Ed Hardy Cases
  • Football Clubs Cases
  • Gucci Cases
  • Hermes Cases
  • Hollister Cases
  • Juicy Cases
  • Lacoste Cases
  • Levis Cases
  • Louis Vuitton Cases
  • Michael Kors Cases
  • MLB Cases
  • Moncler Cases
  • Monster Cases
  • Mulberry Cases
  • NBA Cases
  • NCAA Cases
  • NFL Cases
  • NHL Cases
  • Nike Cases
  • Oakley Cases
  • Prada Cases
  • Ray Ban Cases
  • Star Cases
  • TOMS Cases
  • Tory Burch Cases
  • UGG Cases
  • YSL Cases
  • George FitzGerald, Don’t You | Little White Earbuds

    George FitzGerald, Don’t You


    Artwork by Kim Holtermand

    [Hotflush Recordings]


    Buy Vinyl
    Buy MP3s

    I had almost written George FitzGerald off after the Hotflush newbie released a dishearteningly derivative debut single for the lauded label. The tracks were well-produced but uninspired, Joy Orbison-styled garage-leaning house, and it’s a remarkably empty sound when devoid of individual nuance. Yet now its seems that first impressions were somewhat misleading, as his follow-up — which actually dates back to at least January 2010 where it was a highlight on Scuba’s Sub:Stance mix for Ostgut Ton — reveals a more mature, personalized sound. “Don’t You” is sleeker, sexier, and more importantly weightier: the track’s quick-footed percussion and gurgling bass line pack much-needed substance where previous material was all fluff.

    Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

    Not only rhythmically improved, the sound design on “Don’t You” is something to be admired, tapping somewhere into the analogue synth music revival that’s been rankling electronic music’s fringes for the past few years. The persistent and and jerky two-note organ melody that outlines the track’s angular frame occasionally congeals into gorgeous rays of synthetic sunlight before leaving the bare rhythm to convulse in solitude. The best of both worlds, the track gracefully alternates between sections of dense extravagance and bare bones thrust. But if that isn’t ethereal enough for you, Scuba provides a hell of a flight with his SCB-helmed remix. All but pulling out the bottom end out for a psychedelic techno hallucination, bits and pieces of the original float in through invisible cracks, appearing in exaggerated form before vanishing just as suddenly. Continuing with the theme of echoed chords and workmanlike percussion, it’s a pleasant expansion on the established SCB sound, and nicely rounds out a release that shows considerable promise not only for George FitzGerald but even for the label’s boss himself.

    Blaktony  on January 29, 2011 at 10:33 AM

    U go,boy! These 2 do no wrong.

    Your email is never shared. Required fields are marked *

    *
    *