LWE sat down with Sepalcure to find out how they shifted from a casual side-project to Hotflush-approved, extremely-hotly-tipped “lovestep” juggernaut. The boys were also kind enough to provide us with an exclusive mix of the sort of tender house and fiesty bass that’s perhaps best enjoyed with a smooth Malbec and that special someone.
So in the last six months, why have I, in my capacity as a dance music writer, been pitching reviews of dance albums week in and week out? I think it’s because I’ve noticed something funny happening with dance music albums.
The latest platter from Hotflush/Offshore sister label, Hotshore, which pits D-Bridge against Scuba’s “Tense” and Headhunter against Dissident’s “Society of Silver,” suffers from incongruous aesthetic combinations.
Paul Rose has undoubtedly proved himself to be one of the great dance music triple threats of the moment. He’s flexed his mighty A&R muscle at Hotflush, which in the past year helped launched the careers of next-gen buzz magnets like Mount Kimbie and Joy Orbison. (His forward-thinking Sub:stance nights at the Berghain have surely bubbled up from a similar impulse.) He’s emerged as one of the world’s most impressively dexterous DJs (see his Sub:stance mix or, better yet, his latest podcast for RA for proof), dropping dubstep and 4/4 with equally sure hands. And bass sides as Scuba and a recent foray into techno as SCB have been among the underground’s most beloved records as of late.
It’s almost silly that Paul Rose would go make a house/techno alias (somewhat) different from his well-established one. Lately Scuba’s productions would be more readily categorized as techno than dubstep anyway, even though his wide range of tempos and blend of styles comes out genre-less anyway. After the sublimely subterranean debut of the SCB moniker remixing his own “Hard Boiled,” the SCB project developed further with one of the mixes of 2009: the 37th mix in the mnml ssgs mix series. Kicking off a new series of catalog numbers on Hotflush, Scuba now looks to firmly plant the SCB flag with the succinctly titled SCB001.
It’s hard to resist beginning any discussion of an Ostgut Ton release — be it a single, album, or mix compilation — without discussing the room from which its artist ostensibly drew his or her inspiration. Berghain, with its veritable pipe organ of Funktion One stacks pushing sweaty air into lofty post-industrial buttresses, is particularly susceptible to this line of thinking. As evidenced by the sandpaper highs and sucker-punch lows adopted by just about anyone who’s been at (or looking to get their records to) the club’s helm, Berghain begs producers to push its acoustic buttons in extremely particular ways.
With its irreproachable roster of talent, Hotflush has become over the last couple of years a buy on sight label. Scuba himself has already provided one of the standout moments in dubstep this year with his “Klinik/Hundreds and Thousands” release, while Mount Kimbie’s “Sketch On Glass” emerged to leave critics slack jawed and saliva mawed at its recondite rhythms. Scuba’s new EP, lovingly spread over two slabs of vinyl will further fluster bass heads, encapsulating the breadth of his sound over five tracks ranging from blunt, fathomless ambient through to shimmering half steppers and steely, chrome-plated house.
Hot on the tail of his remix packages from A Mutual Antipathy, Paul Rose has started the year with two killer remixes for Alpha Rhythm and Fever Ray. Following on from those is his new twelve on Hotflush which will further cement his status as one of the most compelling producers out.
[Hotflush Recordings] With only a small handful of releases to his name previously, Paul Rose aka Scuba stepped up in 2008 with a somewhat slept-on masterwork of an album, A Mutual Antipathy. The remix packages (of which there are now four) have been serving to convert any late comers to the Scuba appreciation group, with […]