Miles Whittaker’s latest, Facets, for long time home Modern Love, is tellingly published under his own name and represents some of the most personal music he has made.
demdike stare
LWE Interviews Demdike Stare
Lest you think that doom and gloom is all there is to Demdike Stare, our chat with member Sean Canty touched on the group’s mix CDs, their incessant record-digging habits, and the possibility of a Nu-Groove style Demdike Stare record.
Demdike Stare, Liberation Through Hearing
Leaving behind the techno found in last year’s Symbiosis, Demdike Stare’s planned 2010 run of three LPs — of which Liberation Through Hearing is the second — is more abstract and soaked in gallons of dread.
Demdike Stare, Symbiosis
Brrr, did anyone else just feel the temperature drop a few degrees? Autumn is on the way and the days are getting shorter, but there’s no doubt Symbiosis adds to the gloomier atmosphere. A collaboration between Miles Whittaker (aka MLZ and one half of Pendle Coven) and Sean Canty, Demdike Stare draws on a range of influences to create a subdued yet menacing collection of mood music. There’s an underlying sense of dread audible here, with Whittaker’s love of sampling obscure music — something Canty probably enjoys too — giving Symbiosis a familiar yet eerie feeling. The fact that the project’s name, like Pendle Coven, references witchcraft and the supernatural, and is accompanied by album artwork featuring skulls, white roses and a lone eye suspended under a woman’s wig while an arm holds what looks like either a small wand or a big needle, only adds to the occultish theme.










