Tag Archive: review

Palisade, So What?

Regardless of whether or not Palisade’s Laid debut is a cheeky jab at nagging journalists, it’s best to take the title in stride and listen to the 12″ without any expectations.

The Chain, Lostwithiel EP

There are few better ways to summarize the recent trajectory of R&S Records than examining the brief discography of The Chain.

Myriadd, Beyond This Life

Beyond This Life finds the mysterious Myriadd both prostrating themselves before the altar of Chicago house and offering some of his or her own visions as well.

Vessel, Nylon Sunset

The inaugural release from left_blank by Vessel is exemplary of the most modern takes on garage which comes complete with a lean Peverelist remix.

K-S.H.E., Routes Not Roots

In our culture obsessed with authenticity, with having “been there at the beginning,” with sticking to one’s roots, Thaemlitz elegantly shows that it’s not these roots that unite us but rather our common experiences.

D/R/U/G/S, Love/Lust

The first release by D/R/U/G/S offers broad brush strokes of vivid color over three tracks that are all immediately engaging and make use of uncomplicated, lucid melodies.

Maya Jane Coles, Focus Now EP

Maya Jane Cole’s development is apparent on each progressive release, and while the Focus Now EP isn’t quite perfect, it’s probably the strongest statement she’s made yet.

Moomin, Spare Time

For Spare Time, Moomin’s first solo effort, he returns to Aim with two deep, low-key originals that are paired with a churning, spaced-out edit by Marvin Dash.

Hyetal, Broadcast

Broadcast, Hyetal’s debut album on Black Acre, finds him moving further into introspection, as well as pushing retro tones and laboriously paced rhythms.

LV & Joshua Idehen, Routes

While each of LV’s singles have offered new developments in their sound, none of them prepared listeners for the perfectly formed statement that is Routes.

Daniel Andreasson, The Sentinel EP

Following a small run of purist electro/tech releases, the Scottish-based Tabernacle Records switches the dial to a steadier pace of loose, jacking percussion with The Sentinel EP from Daniel Andreasson.

Tin Man, Perfume

Perfume sounds like nothing released this year nor anything else Tin Man has ever done, yet it seems like the kind of music towards which all of his other records were pointing.

Semtek, West Acyd Shelter

Semtek reaches back into 70’s jazz-funk for the inspiration of his latest release, West Acyd Shelter.

Global Communication, Back In The Box

Global Communication’s Back In The Box mix is essentially a look at what they were measuring themselves against and spinning during their burgeoning production years.

Gesloten Cirkel, Moustache Techno 001

Gesloten Cirkel’s Moustache Techno 001 contains four lightly blurred dance tracks, appropriately edgy and raw for the Dutch scene that birthed it but also touched with a personal dreaminess.

MD, It Ain’t What It Used To Be

Add MD’s It Ain’t What It Used To Be to the list of white labels that offer pure quality in the place of identity.

Chicago Shags, Irrational Excess

Chicago Shags’ latest effort contains all those endearing qualities — warmth, soul, rawness — that most modern producers have squeezed out of their work, leaving it cold and emasculated.

Tom Demac, Indulge & Lunge

Mancunian house producer Tom Demac hasn’t exactly been on my top producers-to-watch list, but maybe that should change after his first solo release on liebe*detail.

Africa HiTech, 93 Million Miles

Africa Hitech’s 93 Million Miles has one of the most unique arcs of any album in recent memory, a progression of sound that might best be described as backwards time travel, something the title alludes to.

Meschi, Shifting Harbour EP

When falling sales dictate that even well-known labels ensure each release contains killer dance floor tracks, it’s refreshing to hear a record like Meschi’s Shifting Harbour EP being put out without regard for such issues.