The Detroit duo of Daryl and Shone Caliman, better known as The Oliverwho Factory, have developed a sound that while rough and raw production-wise, is beaming with warmth, character and soul. In our interview The Oliverwho Factory acknowledge that substituting of limelight for midnight oil is not in the cards. And while neither is exactly a DJ, the pair recorded their first exclusive podcast mix that narrates where they’ve been and where they’re headed.
kuri
Red Rack’em, Exhalt/Underground
June 10, 2010 – 10:01 PM
On his first release for London-based Shift, Red Rack’em shows a deft hand at keeping us guessing on what actually qualifies as deep house these days.
BBH: Ross 154, Until My Heart Stops…
May 18, 2010 – 10:01 PM
Listening to Delsin’s reissue of Until My Heart Stops… by Ross 154, born as Jochem Peteri but best known as Newworldaquarium, trying to pin down its exact origins blindly gets a little tricky.
BBH: Projekt: PM, When The Voices Come
May 11, 2010 – 10:01 PM
Kuri Kondrak considers Edgar Sinio’s When The Voices Come EP as Projekt: PM, which helped put Guidance Recordings on the Chicago house map in 1996.
KiNK, Rachel EP
April 26, 2010 – 10:01 PM
After listening to the track “Existence” from KiNK’s Rachel EP for Ovum Recordings, I found myself slightly appalled. Essentially it’s a rework of “Changes of Life,” a 1992 cut by Jeff Mills, done as a tech-house wind up. Fitted with a new set of filters, delays, and freshly phased drum rolls, “Existence” dices up that signature piano riff to closely resemble its exemplar but remain just different enough to warrant being called its own.
Jamie Read, Never The Future EP
April 21, 2010 – 10:01 AM
After digging into the origin of the Joe Louis’s Back To The Beginning release for last year’s BBH review, I realized Jaime Read hadn’t fallen off the face of the earth after a few solid releases in the ’90s and a trickle of collaborative material with Felix Dickinson as L.H.A.S. Inc. (short for Larry Heard Appreciation Society). Contrary to my speculations, he hadn’t given up producing after a few frustrating encounters with the shadier side of the music business so much as fallen into the obligations of domesticity and let music take the backseat. So it came as quite an exciting discovery to learn he was working on new material to be released on UK label Elektrosouls Recordings.
BBH: Glenn Underground, Future Shock
April 7, 2010 – 10:01 AM
Within the scope of Chicago’s early/mid ’90s house renaissance Glenn Crocker, aka Glenn Underground, played a strong role in helping to define what was an emerging new sound for city. Along with fellow artists Boo Williams, DJ Sneak, Tim Harper and several others they formed a dichotomous current that for several years was defined by the direction of the Cajual and Relief labels: disco-styled house for the former and banging raw tracks for the latter. European labels quickly picked up on this and plucked nearly all of the aspiring new faces on the scene for at least one 12″ and at most two albums. Crocker was one such artist that technically got his start on Eindhoven-based label, Djax-Up-Beats, with the Future Shock 12″ in 1993.
Kirk Degiorgio, Membrane
March 24, 2010 – 10:01 PM
Back in 1992, Kirk Degiorgio’s first ART EP (originally released by R&S Records) found itself getting licensed to Planet E, albeit in a slightly paired down and remixed form, but nonetheless giving two of productions front and center billing. He returned the favor soon after, providing a home for some of Carl Craig’s finest work under his Psyche and BFC monikers on the ART 3 EP. Fast forward 18 years and Degiorgio has returned to Planet E with his latest 12″, Membrane. With Degiorgio reviving his ART imprint and catching his second wind on the techno front, this would seem a perfect fit if not somewhat of a homecoming.
DJ Bone, Sunday Morning/Sunday Night
March 23, 2010 – 10:01 PM
If you’re an avid LWE reader you may remember DJ Bone’s debut for then unheard of Sect Records that arrived mysteriously in a plain white CD sleeve, which had staff and readers alike speculating over its provenance. Nearly two years on, Sect has introduced the wider world to aspiring techno artists such as Grovskopa, Jolka and even Bone’s own daughter, Aleckxis Jaina — -as well as serving as a reintroduction to the underrated D Knox. Bone, on the other hand, has been keeping steady with his own Subject Detroit label, almost single-handly keeping techno (in a purist’s sense) alive in his hometown.
RezKar, Cosmos
March 10, 2010 – 11:01 PM
Rezenio Kariem may not be a name that rolls of the tongue but the reclusive South African producer is slowly building a name for himself under the RezKar moniker. Until last year his output had mainly arrived by way of little known net labels such as Jon7.net Microlabel and Mixomat Recordings, and he may have languished under the radar if not for a stunning contribution to the Meakusma Rüts 2/3 compilation and a couple releases for Altered Moods Recordings. 2010 will very likely see RezKar’s profile heightened with an upcoming release on Running Back and this Cosmos 12″ (also released as 7-track digital release) already out at of the tail end of last year.