Tag Archive: review

TRG, Decisions

[Tempa] Making his debut on Tempa after catching my ears with refreshingly steppy beats this past year, Cosmin Nicolae, better known as TRG, is pushing the sound forward by going way back in time. Many will compare the 2-step rhythms and ambient stabs to Burial, but a better reference point would be Horsepower Productions’ 2000-2002 […]

Download Paul Frick, “Steal My Heart” (Dub Version)

Here’s one rare time when “ask and ye shall receive” actually holds true: After being hounded by enthusiastic DJs and recently egged on by Tape/RA’s Richard Carnage for a dub version of “Steal My Heart,” Paul Frick relented and created one. In addition to trimming Crawford’s clever narration, Frick also fine tuned a few elements […]

Studio 1, Studio Eins

[Studio 1] From his groundbreaking ambient work as Gas to his acid-fueled excursions as Mike Ink, to his foundation of the pioneering Kompakt empire, Cologne’s Wolfgang Voigt has had an especially active hand in the development of electronic dance music sounds in the last decade and a half. For all the weight the above carries, […]

Andi Numan, Glass Roots

[Curl Curl] As an off-shoot from Moon Harbour Recordings, the Curl Curl label has for the past four years been an Antipodean based venture into releasing deep-house and techno with varying results. The tenth release on the label is the “Glass Roots” EP by New Zealander Andi Numan. It would be easy enough to tar […]

Pom Pom, CD 001

[Pom Pom] Those hoping the first CD release from the ultra mysterious Pom Pom imprint would provide hints as to the identity of the artist behind the long-running series will be sorely disappointed: Following the theme of all-black vinyl releases, the CD is, of course, totally black all around, including both sides of the disc […]

Wireman, Armour EP

[Prime Numbers] In his recent podcast for Resident Advisor, Trus’me surprises the listener by finishing an hour of house with a clunky dubstep number. The track is dark, heavy, and rough around the edges, but somehow compliments Trus’me’s earthy sound quite well. It’s called “Axiom,” and it’s one of the first ever tracks by Wireman, […]

Starkey, Ephemeral Exhibits

[Planet Mu] In this era of laptop production and file sharing, a genre that once thrived on limited white labels and expensive dubplates was bound to be pushed forward by outsiders. Once only heard in a few south London clubs and on pirate radio, dubstep is now a global phenomenon. You can thank the Internet […]

Delano Smith, Sunrise EP

Those who insist on being bitter when techno journalism continues to focus on Detroit might as well complain historians of impressionist painting overemphasize Paris, or that fans of martial arts films give too much credit to China. With locally known but globally unsung veteran producers like Patrice Scott, Mike Huckaby, Scott Grooves, and now Delano Smith continuing to release some of the best tracks of recent memory, it’s just an unavoidable subject. So don’t be surprised to hear a voice point out on “Something for Myself,” the lead track from the “Sunrise EP,” that Smith is “from Detroit, from Detroit, from Detroit.” When he adds that “there’s so many sounds; it’s limitless,” it doesn’t just apply to his hometown’s cultural heritage — he might as well be talking about this record.

Tokyo Black Star, Bit Commander EP

This is one of those releases where the packaging tells you everything. These guys aren’t called Tokyo Black Star for nothing; leader Alex From Tokyo — get this — is from Tokyo. Collaborator Isao Kumano is a Japanese producer and studio engineer relatively unknown in the English-speaking world, and whose internet presence is somewhat overshadowed by a character of the same name in anime series Red Baron. Apparently, the duo was christened Tokyo Black Star by Kerri Chandler, and their earlier work (including “Psyche Dance,” the first Innervisions release) fittingly bore the influence of American house. With “Bit Commander,” however, the clear reference point is Yellow Magic Orchestra — the only Japanese group ever to appear on Soul Train. The shimmering minor-key melody of “Sepiaphone” aims for the charming simplicity of YMO’s greatest tracks, given grit by nearly bluesy chunks of guitar-like vamping buried in an old-school electro groove.

Kode9 vs LD, Bad/2 Bad

[Hyperdub] Steve Goodman’s Hyperdub imprint has been spearheading forward-thinking dubstep since 2004, though as Kode9 he has often been overshadowed by his first and most famous signing Burial. The 2008 release calendar for Hyperdub was marked by distinctively fresh sounding product from the likes of Flying Lotus collaborator Samiyam, Zomby, King Midas Sound and this […]

Moody, Det.riot ’67

[KDJ] Kenny Dixon Jr., or Moodymann, has earned his capital A Detroit Auteur title. He’s been essential to the scene and sound for the past fifteen years. If deep-house fetish was the biggest meme of European techno in 2008, then it was appropriate that Moodymann exported his own crackle, providing necessary remixes for Jose James […]

EQD, Equalized #002

[Equalized] In many ways, Equalized can only be discussed as two rubber stamped records, each carved with of a deep understanding of and flexibility with rhythm. The scope of sounds found on their four sides could point to a number of talented, Hardwax-affiliated producers, solo or in collaboration. While the A side of “Equalized #001” […]

Others, Take 1/Take 2

[Musique Risquée] As yawn-inducing as the notion of “horn house” may sound at this point, one recent release on Musique Risquée puts brass to use in a way that’s rather novel. Under the moniker Others, Bruno Pronsato and Daze Maxim blur the line between organic and electronic sounds even more than usual, layering horns over […]

MLZ & Pacou, Remixes

[Cache Records] Berlin-based Pacou seems to be making a series out of remixing his older material. Last year saw DeepChord and Mike Huckaby both taking at crack at his back catalog with stunning results, and now relative newcomer MLZ (aka Miles Whittaker) has remixed Pacou’s “Minus” (from a 1998 EP on LL Records, recorded under […]

Scuba, A Mutual Antipathy Remixes 3

[Hotflush Recordings] With only a small handful of releases to his name previously, Paul Rose aka Scuba stepped up in 2008 with a somewhat slept-on masterwork of an album, A Mutual Antipathy. The remix packages (of which there are now four) have been serving to convert any late comers to the Scuba appreciation group, with […]

John Roberts, Bodywork

Eyebrows raised and ears perked up when the close-knit Dial label added hitherto unknown, John Roberts, as the first American on its roster. “Hesitate,” his debut single that cobbled together deep-house movers from deftly manipulated samples and live instrumentation, did not disappoint. You could argue it was the most striking platter the imprint delivered in 2008 (in part because of a brief release schedule). All that in mind, anticipation and expectations for Roberts’ next release are high, and they’re likely to be met (and possibly exceeded) by “Bodywork,” his single-sided 12″ for John Daly’s Feel Music.

Carl Craig & Moritz von Oswald, ReComposed – New Mixes By Ricardo Villalobos & Carl Craig

[Deutsche Grammophon] The third volume of Deutsche Grammophon’s “ReComposed” series was a match made in heaven: longtime friends and past collaborators Carl Craig and Moritz von Oswald teaming up to “recompose” classical pieces by Modest Mussorgsky and Maurice Ravel in their own inimitable styles. The resulting LP was one of 2008’s finest, and just before […]

Alex Under, Azul Terio

[CMYK Musik] Alex Under has been dominating the harder end of the Spanish techno scene in recent years, his taut, kinetic productions gracing the discographies of Trapez, Apnea and Cmyk. “Azul Terio,” just his second release proper for 2008, finds Under in top form with three straight up floor cuts for the aforementioned Cmyk label, […]

Rustie, Zig-Zag

[Wireblock] Rustie’s rise to (relative) fame in 2008 was swift to say the least. Alongside fellow Glaswegian Hudson Mohawke, Joker, and Zomby, he is one of the leading lights of a not-dubstep style whose name is most frequently given as wonky, although sometimes more creatively as aquacrunk, among other things. Hallmarks of this style are […]

Agnes/Chaton/Ripperton, +91 Ahead Session 2

[Plak Records] Chaton, founder of Plak Records, has produced serviceable if spartan grooves for Sthmlaudio Recordings and his own label since they both debuted in 2001. I find his tracks are most ear-catching when they’re remixed, as they have been by Agnès (“Catch the Beat”) and now Ripperton. He constructs the canvas for others to […]