Author Archive: Andrew Ryce

Mike Dehnert, Framework

Framework is the definitive Fachwerk opus, a portfolio of Mike Dehnert’s many, many variations on a theme.

SCB, Loss/FutureUnknown

“Loss” marks SCB’s debut outside the Hotflush family of imprints, and despite the downer of a title it’s a trip outside his usual sound into sunnier territories.

Ryan Elliott, Rocksteady EP

While the Rocksteady EP isn’t exactly bursting with color or personality, there’s something to be said for how far Ryan Elliott can reduce his sounds without sacrificing pure impact.

Actress, Harrier ATTK/Gershwin

Actress’ first release on Instra:mental’s NonPlus+ label last year was a harshly angular, mechanistic companion to the slightly more organic Splazsh, and the follow-up is no different.

Ruckspin, Shikra/Blessings ft. Jack Sparrow

Shikra/Blessings, Ruckspin’s debut for the U.S-based Push Red label, finds the UK-born producer in breakout form.

Marc Romboy vs. Stephan Bodzin, Phobos

Systematic waited five years to release an EP dedicated to remixes of Marc Romboy and Stephan Bodzin’s “Phobos.” The Moritz Von Oswald and Pan-Pot remixes were worth the wait.

Tevo Howard, The Age Of Compassion

The Age Of Compassion, Tevo Howard’s first release for Buzzin’ Fly, straddles the line between sanguine and sappy. Donnacha Costello and Aera provide remixes.

Lawrence, Sorry Sun

Sorry Sun is not your typical Lawrence release, and given the generally high standard of Lawrence releases, that’s got to mean something.

Martyn/Mike Slott, Collabs #1

All City strikes interesting territory with its new “Collabs” series, taking in Dutch bass producer Martyn and Irish weirdo Mike Slott for a surprisingly fluid team effort.

MANIK, What Is Who EP

The What Is Who EP, MANIK’s debut for Poker Flat, keeps his characteristic simplicity intact, but signals a shift in his production that favors the small details.

James Blake, James Blake

James Blake’s self-titled debut album has all the hallmarks, confused moments and false starts of someone trying to create their very first masterpiece.

Miss Kittin, All You Need

All You Need, Miss Kittin’s debut for Mobilee, feels like a long-anticipated hangover after the bombastic bender she’s been on for much of her career.

Shackleton, Fabric 55

As a live set of all original material, Fabric 55 bears most obvious resemblance to landmark entries by Omar-S or Villalobos and hews closer to indelibility than your regular mix CD.

Jerome Sydenham, Trombipulation EP

The music on Sydenham’s latest for Drumcode lacks that certain je ne sais quoi that helps sell similarly faceless techno slabs.

LWE Interviews Adam X (Traversable Wormhole)

Adam X’s is a fascinating story of identity politics, personal reinvention, and career resuscitation. He sat down for a revealing and surprisingly relaxed interview with LWE to explain the whole thing.

George FitzGerald, Don’t You

George FitzGerald’s Don’t You, complete with SCB remix, finds the young producer making big strides in his sound.

Orphan101, Propa/Disemble

orphan101’s first release of the year arrives on Appleblim’s Applepips label, falling perfectly in line with the label’s standard of idiosyncratic bass music.

Pearson Sound, Blanked/Blue Eyes

David Kennedy chose to end 2010 in the same way he ended in 2009 — sneaking out a twelve on his own Hessle Audio label under his Pearson Sound alias.

Headhunter, Lost Prophet/Chasing Dragons

Rather than focusing on the segmented “drop” structure of dubstep, Headhunter’s Lost Prophet/Chasing Dragons prefer a sustained buildup more akin to house music.