Rebolledo’s debut LP, Super Vato, is a deeply collaborative work emphasizing a certain laid-backness we don’t find very often in club music.
Author Archive: Jordan Rothlein
Levon Vincent, Impression Of A Rainstorm
With little advance fanfare, Levon Vincent drops his second Novel Sound 12″ of 2011, the somewhat understated Impression Of A Rainstorm.
Cottam, Deep Deep Down
To say that Cottam has risen to the occasion with Deep Deep Down, his biggest 12” yet, honestly might be something of an understatement.
Lando Kal, Maneuver
With Maneuver, Lando Kal continues to come into his own, ramping up the energy from his Hotflush release while sounding dapper as ever.
Untold, Little Things Like That
Untold’s Little Things Like That arrives on Clone Basement Series as a chance to start anew but instead doubles down.
Roman Flügel, Fatty Folders
More than a paean to long-lost subgenres or a play at shifting the conversation back in a particular direction, Fatty Folders is a celebration of having an inimitable voice.
Agnès presents Cavalier, A Million Horses
Over 80 minutes, Cavalier’s A Million Horses inhabits a warm, vintage, and unabashedly soulful pocket with a fervor few can match. But can it set itself apart from the many other producers doing the same?
Guillaume & The Coutu Dumonts, Ubiquitous Gaze
Guillaume & The Coutu Dumonts was among the relatively few producers whose take on tropical minimal house was worth following, Ubiquitous Gaze is unlikely to convince listeners that’s still the case.
Martyn, Masks/Viper
On the eve of his next full-length, Martyn isn’t currently innovative so much as he’s articulate. But as Masks/Viper, the album’s teaser 12″, reveals, sharper teeth change surprisingly little about this guy’s bite.
Mount Kimbie, Carbonated
If you were hungry for new Mount Kimbie tracks, Carbonated will sate your appetite, though admittedly you’d probably like nine or ten more bites.
Kassem Mosse, Musical Generics
While Wendel’s remix work has started to sound like Kassem Mosse hunkering down into peggability, this solo outing reveals a producer still very much open to interpretation.
Machinedrum, Room(s)
Room(s), the fruit of Stewart’s new production ethic, proves that music can sound as 2011 as any album put out this year without sounding much like anything else.
LWE Interviews Machinedrum
LWE caught up with Machinedrum in Brooklyn a few weeks before he decamped to Berlin for the summer to better know a veteran we expect is about to get his due in a very big way.
Sigha, HF029
Sigha’s self-titled EP for Hotflush may leave you thirsty for something that distinguishes its tracks as James Shaw’s own and more of the label’s sound signature.
LWE 2Q Reports 2011: Albums
For LWE’s first 2Q Report of 2011, Jordan Rothlein rounds up five full-lengths that stand tall above their peers so far.
AnD, Horizontal Ground 09
Horizontal Ground continues to defy expectations with its ninth edition by AnD.
Deadboy, Here EP
Here EP reminds listeners that, while neither Deadboy nor the Numbers camp is synonymous with the eternally next-level, they’re very much engaged with those who are.
Andy Stott, Passed Me By
Andy Stott’s Passed Me By might be dance music shaved down to within an inch of its life, but it’s an inch far too tantalizing to be left for dead.
LWE Podcast 83: FaltyDL
In advance of FaltyDL’s June 2nd performance at MUTEK 2011, we spoke about his production ethic, his local and national scene, and his favorite spots for sushi. He also compiled LWE’s 83rd podcast, a blistering 42 minutes of music which leaps across styles and tracks like a sonic gymnast.










