Tag Archive: steve kerr

Zwischenwelt, Paranormale Aktivitat

Paranormale Aktivitat, the debut album from Zwischenwelt (Gerald Donald of Drexciya, Beta Evers, Penelope Martin, and Susana Correia), isn’t far removed from Donald’s legacy.

Krause Duo ft. Ian Simmonds, Hell On Earth

The year’s first release from Musik Krause comes courtesy of Krause Duo themselves, featuring frequent label contributor Ian Simmonds on vocal duty.

Ital, Ital’s Theme

Ital’s Theme, the first release for Not Not Fun’s 100% Silk sub-label, is a continuation of Daniel Martin-McCormick’s noise and dance sonics.

Policy, Specialty Party

NY filmmaker-turned-producer Policy debuts with the cinematic-inspired Specialty Party EP on Rush Hour Direct Current.

Pawel, The Remixes

Patrice Scott, Osunlade and John Roberts are tasked with reinvigorating tracks from Pawel’s self-titled debut LP on The Remixes.

BBH: Various Artists, NSC 1-4

More than ten years after its 1998 release, NSC 1-4 remains a testament to the relationship between the National Sound Corporation and Detroit techno’s luminaries.

Lukid, Boxing Club/Blind Spot

Boxing Club/Blind Spot maintains Lukid’s crisp production values and asymmetrical, minimalist structures, while simultaneously marking his first foray into what might loosely be termed as techno.

Gala Drop, Overcoat Heat

Overcoat Heat, Gala Drop’s new EP for the Golf Channel label, is a hive of activity, imperceptibly blurring the lines between synthetic and organic.

Storm Queen, Look Right Through

Morgan Geist’s debut as Storm Queen, Look Right Through, showcases the producer’s house angle at its best.

Nathan Fake/DJ Koze, Xmas Rush/Mi Cyaan Believe It

Pampa’s previous releases have been well in line with DJ Koze’s madcap persona, but this split between its owner and Nathan Fake is perhaps its first passion project.

Chasing Voices, Ex Nihilo Nihil Fit

Ex Nihilo Nihil Fit (“nothing comes from nothing”) offers the disclaimer that while Chasing Voices may have appeared from “nothingness,” this music is the highly calculated product of an exceptional vision.

Roman Flügel, How to Spread Lies

How to Spread Lies exists in a space between Flügel’s catalog and that of Dial; unquestionably more lighthearted than your average Lawrence release but also containing shades of sentimentality.

Portable, This Life of Illusion

On the Perlon-released This Life of Illusion, Alan Abrahams is the most successful when tapping into his emotions and his own unique baritone.

Anthony “Shake” Shakir, Frictionalism 1994-2009 Remixes Part 1/2

Frictionalism serves as the jump-off point for remixes by two of Shake’s most perceptible descendants, Falty DL and Space Dimension Controller.

Dorisburg, Sinai Hypnosis

Sinai Hypnosis, the debut release by Dorisburg, disregards genre uniformity and attempts to bridge disparate structures with an overarching spaciness.

Literon, Storm/Nightfall

For his Storm/Nightfall single as Literon, Gerd-Jan Bijl matches the funkiness of his better known projects with darker, warehouse-style grooves.

Azari & III, Indigo

Azari & III’s Indigo recalls the duo’s first two releases in mood, but deconstructs their widescreen vision into something trackier, and in places, more formulaic.

2AM/FM, Final Approach

Final Approach for Crème Organization’s JAK sub-label is easily one of the most personality-filled compositions to emerge from 2AM/FM (Tadd Mullinix and D’Marc Cantu).

Nochexxx, Ritalin Love/Timepiece

Nochexxx’s debut for Ramp Recordings synthesizes a variety of elements into unceasingly fidgety arrangements that nevertheless stay deftly away from disorder.

Matthew Dear, Black City

Black City, Matthew Dear’s fourth album, often feels like a series of deeply personal vignettes conjoined by a few widescreen thrillers.