After much internal wrangling and voting, LWE has chosen the top 10 albums that feel representative of 2011.
Roman Flügel
LWE’s Top 30 Tracks of 2011 (30-21)
As in past years, LWE’s reviewing staff has devoted a great deal effort combing through the year’s releases to select our top 30 favorite tracks of 2011. Your mileage may vary and many great tracks were left out, but for us these selections defined our 2011 listening experiences.
LWE’s Top 5 Artists Who Defined 2011
For our third year-end piece, Andrew Ryce draws our attention to the top 5 artists whose output defined this year.
Roman Flügel, Fatty Folders
More than a paean to long-lost subgenres or a play at shifting the conversation back in a particular direction, Fatty Folders is a celebration of having an inimitable voice.
DOTW: Anthony Collins, Don’t Look Down Now (Roman Flügel Remix)
If you need more evidence that one of Frankfurt’s greats is on fire, check out our download of the week — Roman Flügel’s remix of Anthony Collins’ “Don’t Look Down Now.”
Anthony Collins, Don’t Look Down Now
Don’t Look Down Now revises Anthony Collins’ emotive, organically flavored aesthetic to slot in among early evening sets and comes complete with an equally unhurried remix by Roman Flügel.
Roman Flügel, Desperate Housemen EP
Desperate Housemen EP sits somewhere in-between Roman Flügel’s recent releases, pulling in the melodic grandeur of “Brian Le Bon” and sticking it in the subtle and refined template of his Dial EP.
Little White Earbuds April Charts 2011
01. Jerzzey Boy, “Like A” [My Love Is Underground]
02. Recondite, “Robur” [Plangent]
03. Roman Flügel, “Iron Curtain” [Live At Robert Johnson]
04. Terrence Dixon, “City Nights” [Thema]
05. Vakula, “Kiev” [Achipel]
06. Julius Steinhoff, “Mischief Of One Kind And Another” [Geography Records]
07. Peverelist, “Dance Til The Police Come” [Hessle Audio]
08. Prostitune, “NJ Turnpike” [Just Another Beat]
09. Andre Lodemann, “Your Choice”
[Room With A View]
10. Leonid Nevermind, “Thymus Stimulator” [Nowar]
Little White Earbuds January Charts 2011
01. Hercules & Love Affair, “My House” [Mochi Mochi]
02. RNDM, “Hideaway Lane” (Dub) [Laid]
03. Lone, “Cloud 909″ [Magic Wire Recordings]
04. Sandwell District, “Speed + Sound (Endless)” [Sandwell District]
05. XI, “Gamma Rain” [Orca Recordings]
06. Lauer, “Banned” [Live At Robert Johnson]
07. Audio Werner, “Guteaussichten” [Story]
08. Tin Man, “Nonneo” [Absurd Recordings]
09. Obsolete Music Technology, “Latency” [Machining Dreams]
10. Roman Flügel, “How to Spread Lies” [Dial]
Roman Flügel, How to Spread Lies
How to Spread Lies exists in a space between Flügel’s catalog and that of Dial; unquestionably more lighthearted than your average Lawrence release but also containing shades of sentimentality.
LWE Interviews Roman Flügel
Roman Flügel is one of those producers whose multifaceted career makes him difficult to describe narrowly, so I’ll stick with two simple truths: his 15 years spent making electronic music have proven him to be courageous and innovative. Never one to shy away from new sounds, Flügel has tackled everything from tribal house to experimental electronic jazz. But his most lasting project have been equally bold, from the serrated edged acidic electro of Alter Ego to the soothing scope of Sensorama (both in partnership with Jörn Elling Wuttke), from reduced and acid-house as Soylent Green to the IDM-flecked downtempo created as Eight Miles High. He’s harnessed the highs of crossover hits and powered through the lows of of steep expectations, never apologizing for being ambitious as an artist or appreciating success. Mr. Flügel was kind enough to chat with LWE about underground credibility, challenging audiences and days spent producing in a garage.
Roman Flügel, Stricher EP
It seems reasonable after 20 plus prolific years spent producing music that Roman Flügel’s recent output has slowed to a trickle. This isn’t to say the many monikered producer has been resting on his laurels — the excellent “Neues Testament” EP under the long dormant Roman IV guise puts paid to that notion — but the venerable producer just doesn’t need 10 to 15 releases per year to retain top billing. Yet you can hardly blame Flügel’s fans for hoping another few morsels meet his quality control standards and end up on wax. Surprisingly, Tiga’s Turbo label (rather than old reliable Playhouse) provides a home for his first original material of 2009 — the varied “Stricher EP.”










