Tag Archive: album

Martyn, Ghost People

Ghost People finds Martyn trading the wistfulness of his Great Lengths debut for more floor-focused compositions.

Zed Bias, Biasonic Hotsauce – Birth of the Nanocloud

Biasonic Hotsauce – Birth of the Nanocloud boasts 12 collaborators over the course of 18 tracks and it feels very much like a mixtape.

Rustie, Glass Swords

While threatening to explode into something gaudy, Rustie’s debut album, Glass Swords, makes a compelling statement with its stack of over-the-top influences.

Luomo, Plus

Plus is the snapshot of where the Luomo project stands right now: simultaneously more pop and more experimental than his previous work.

Various Artists, Surreal Estate

Surreal Estate, featuring Sepalcure, Distal, Salva and more, mixes everything from house to hip-hop, dubstep to juke, and all of the electronic funk that sitting in-between.

Andy Stott, We Stay Together

A companion record to May’s Passed Me By, We Stay Together finds Andy Stott further plumbing the sludgy depths of its predecessor.

Roman Flügel, Fatty Folders

More than a paean to long-lost subgenres or a play at shifting the conversation back in a particular direction, Fatty Folders is a celebration of having an inimitable voice.

Roll The Dice, In Dust

By eschewing the clean and pure sound of their earlier work, Roll The Dice’s In Dust gains a warmer and more human feel.

Agnès presents Cavalier, A Million Horses

Over 80 minutes, Cavalier’s A Million Horses inhabits a warm, vintage, and unabashedly soulful pocket with a fervor few can match. But can it set itself apart from the many other producers doing the same?

Cosmin TRG, Simulat

A closer look at Cosmin TRG’s debut album, Simulat, finds that underneath and between the 4/4 is a strangely psychedelic and otherworldly approach to melody and rhythm.

Omar-S, It Can Be Done But Only I Can Do It

As its title suggests, It Can Be Done But Only I Can Do It, the newest album by Omar-S, is honestly the kind of LP only he could have assembled.

tobias., Leaning Over Backwards

Tobias Freund’s Leaning Over Backwards is an album that gracefully sidesteps expectation, revealing the work of an artist interested only in expounding his theories through working practice.

Kangding Ray, Or

Kangding Ray’s Or marks a stark and rewarding move away from the melodic emphasis of his last album, Automne Fold.

Nebraska, Displacement

After two well received EPs of new material, Gibbs returns with his highest profile statement yet, the Displacement LP for Rush Hour.

Echologist, Subterranean

The second Echologist album, Subterranean, explores the possibilities of forgoing most of the kicks and snares often associated with dub techno.

Massimiliano Pagliara, Focus For Infinity

Massimiliano Pagliara expands his brief discography with Focus For Infinity, a bountiful full-length debut for Live At Robert Johnson.

Jus-Ed, Vision Dance

Vision Dance is the moment Jus-Ed has gone from the magnetic but prickly man in the corner to the true blue friend sitting just to your right.

Tevo Howard, Pandora’s Box

Tevo Howard has been vocal about his reverence for the synth-pop and Italo disco building blocks of house, and it’s these genres that are referenced most prominently on Pandora’s Box.

Machinedrum, Room(s)

Room(s), the fruit of Stewart’s new production ethic, proves that music can sound as 2011 as any album put out this year without sounding much like anything else.

Deadbeat, Drawn & Quartered

Deadbeat’s latest album, Drawn & Quartered, is a sometimes dark, sometimes effortlessly beautiful foray into deep rhythms and floating synthesis.