Tag Archive: review

Lee Holman, 2nd Kawl

Although I would stop short of calling Lee Holman an imitator, 2nd Kawl comes tantalizingly close to the rarefied territory inhabited by René Pawlowitz.

Mike Dehnert, Oblique

Arriving in the wake of his Framework album, Mike Dehnert’s Oblique EP is where we leave behind the day-trippers and get into the real fun.

Terence Fixmer, The Night

Terrence Fixmer’s first solo release since his records for Electric Deluxe sees him stalking back into the EBM shadows and away from the Plastikman references and fluid grooves.

Lukid, GLUM002

The four pieces on GLUM002 sit closer to the material on Lukid albums; they’re shorter and more diverse, focusing on intricate, hard-edged drum programming above all else.

Miles, Facets

Miles Whittaker’s latest, Facets, for long time home Modern Love, is tellingly published under his own name and represents some of the most personal music he has made.

Hype Williams, Kelly Price W8 Gain Vol. II

Kelly Price W8 Gain Vol. II is a Hype Williams record above all else, with their iconoclasm on full display.

Mount Kimbie, Carbonated

If you were hungry for new Mount Kimbie tracks, Carbonated will sate your appetite, though admittedly you’d probably like nine or ten more bites.

Inxec & Leks, How Can I Feel

Inxec & Leks’s How Can I Feel EP offers three tracks of relatively adventurous and consummately polished tech-house.

Recloose, Saturday Night Manifesto

Recloose’s return to releasing original material shows the producer functioning at a typically high creative point.

Incyde, Telophase

Incyde’s first official solo release arrives on Brendon Moeller’s Steadfast label, a fine fit for Alex Bishop’s slightly dub-leaning techno fusions.

S-Max & Spatial, Schmorgasbord 002

S-Max plays the strait-laced straight face to Spatial’s loopy and skewed maniac on the second platter from Bristol’s collaboration-centered Schmorgasbord imprint.

Jus-Ed, Vision Dance

Vision Dance is the moment Jus-Ed has gone from the magnetic but prickly man in the corner to the true blue friend sitting just to your right.

Pixelord, Iron and Cream

Seemingly in response to the proliferation of the wild 8-bit sound, Pixelord’s Iron and Cream on Leisure System is a much more subtle and mature take on electronic swagger.

Ital, Culture Clubs

Culture Clubs, Martin-McCormick’s second solo 12″ as Ital and first for his own Lovers Rock imprint, realizes the potential behind his looming influences.

Alex Israel, Walking To Guntersville

Alex Israel’s first physical 12″ displays a confident versatility which compliments the already heterogeneous back catalog of W.T. Records.

Marcel Fengler, Thwack Remixes

A year after it made a big impact on techno dance floors, Marcel Fengler’s “Thwack” gets a remix package with new takes by Norman Nodge, Mike Parker, and Luke Slater under two different names.

Lucky Paul, Lucky Paul Remixes

Realizing the full potential of the Money Vs Gold remix of Lucky Paul, Wolf+Lamb chose to re-release the remix along with another Lucky Paul original, this time reworked by label stalwart Greg Paulus.

The Express, First Class

In many ways, The Express’s First Class defines much that is right and wrong with techno in 2011.

Tevo Howard, Pandora’s Box

Tevo Howard has been vocal about his reverence for the synth-pop and Italo disco building blocks of house, and it’s these genres that are referenced most prominently on Pandora’s Box.

Ossie, Set The Tone

With his new EP for Hyperdub, Set The Tone, Ossie attempts to capture a particularly unique strain of funky house with three tracks of varying degrees of similarity.